Unit 8: Lightness and Weight

London Metropolitan: Diploma Unit 8’s Transcription Project 2020

Tutors: Takero Shimazaki, Paolo Emilio Pisano and Karabo Turner

BOTB The subject of re-use, transformation and working with existing built fabric has been an increasingly urgent topic for UK architects and this has been reflected in the fact that, within architecture schools, an increasing number of units have been focusing their work in this direction. Having featured the work of Diploma Unit 8 from London Metropolitan last year we thought we would revisit the unit’s work and share one of their projects from this year. Entitled “Transcription” this project saw the students working from the close observation of Belgian architectural precedents and then transcribing key elements of these projects into their London thesis sites.

Working ‘in the style of’ an other architect, learning from different generations of architects, transplanting elements of one project to a different site, with a different programme, and taking on collaborative projects with different schools must have challenged these students. One can imagine that fluency in this way of working will serve these future architects well.

Transcription Project ‘Corner Models’

Transcription Project ‘Corner Models’

Unit Text: Prior to a studio trip to Ghent, Belgium, the Unit worked in pairs to study a built reference by a Belgian architect. Studies included works by Juliaan Lampens, Jacques Dupuis, Rene Heyvaert, and Jos Vandriessche. Through drawing, models, and photography, these studies attempted to distil the essence of the original project - the moments and gestures within the Belgian architecture that can be considered irreducible.

These fragments were subsequently transcribed, plucked from their original context and placed onto a new social and spatial context in Battersea, the site of the student’s Thesis projects that year. A 1:20 ‘corner model’, which extracts a specific spatial relationship found in the Belgian project, is inserted into a Battersea site model. Tensions between site and reference - created by the Transcription - are then interrogated through model-making and drawing.

Crucially, while the reference buildings were almost entirely domestic in scale and character, the Transcription process manipulated their architecture for a contrasting public use in Battersea.

The Transcription project culminated with ‘Re-Practice, Re-Visit, Re-Turn’ - an exhibition in February 2020 at deSingel, Antwerp. The exhibition was made possible through collaboration between Unit 8, Architecten Jan de Vylder Inge Vinck, the Flanders Architecture Institute, and Philip Christou. The Unit drew on the creative energy of our many collaborators to produce a series of ‘Project 4’ hand-drawings, celebrating the reference buildings and the Transcription process.

Click on the images to visit the project pages.

Chris Koutsoudes and Lucia Medina, Section through Woning de la Ruelle

Chris Koutsoudes and Lucia Medina, Section through Woning de la Ruelle

Woning de La Ruelle, Van Moffaert and Juliaan Lampens, 1988

Chris Koutsoudes and Lucia Medina

Michelle Lo, Transcription / Project 4 Drawing

Michelle Lo, Transcription / Project 4 Drawing

Kerselare Chapel, Juliaan Lampens, 1964

Michelle Lo and James Osbourne

Abigale-Casajeros, Plan of Maison Bedoret by Jacques Dupuis

Abigale-Casajeros, Plan of Maison Bedoret by Jacques Dupuis

Maison Bedoret, Jacques Dupuis, 1957

Abigale-Casajeros and Richard Taylor

Kay Razak and Luisa Mannilaan, Transcription Project Section

Kay Razak and Luisa Mannilaan, Transcription Project Section

Woning van Wassenhove, Juliaan Lampens, 1974

Kay Razak and Luisa Mannilaan

Neringa Aliksandraviciute and Uzma Aynar, Model of House Vandenhaute-Kiebooms

Neringa Aliksandraviciute and Uzma Aynar, Model of House Vandenhaute-Kiebooms

House Vandenhaute-Kiebooms, Juliaan Lampens, 1967

Neringa Aliksandraviciute and Uzma Aynar

Notes:

Thanks to all the students whose work we have featured and to the tutors, Takero Shimazaki, Paolo Emilio Pisano and Karabo Turner.

Curated by Fraser Biggins and Peter Youthed

Published 5th August 2020